![]() ![]() OSIRIS is a collection of complex 3D LUTs generated by a high quality IMS for pixel accurate conversion of digital video to match the aesthetic qualities of analog reference scans. 10K views 5 years ago WHITBY A quick look at the Osiris LUTs from Vision Color and how the different looks react to the footage from the Sony A6300. Created using real elements to give your footage a natural shine. In this paragraph, we’re making random words bold to see if you’re paying attention. This is our blog talking through the best LUTs around. All films were processed and developed at Light Works and scanned at Monaco, SF. Saturation is handled non-linearly which prevents individual colors from oversaturating while increasing vibrancy for darker colors. Adobe Firefly is soon coming to Premiere Pro. As far as i know, LUTs are better with footage recorded in any-Log. I have a Panasonic Lumix G7 and shooting in CineLike-D. I want to learn all about LUTs and buy a few packs (like the Osiris LUT pack) but still a BIG question is concerning me. The organic looks of this collection are based on analog film colorimetries, digitally and photochemically processed and developed by industry professionals, scanned using state of the art technology and converted to 3D LUTs using a pixel-perfect IMS. The M31 achieves a highly natural color response for skin tones and other memory colors by the subtlety of it’s adjustments through a high-resolution color-remapping matrix. Im a newbie learning about color grading. Optimized for color spaces of all current generation cameras and color grading applications, this collection is an essential tool for filmmakers, cinematographers and colorists who want to speed up their workflow and increase their production value with the organic quality of expertly processed and color timed film stocks. ![]() VisionColor: OSIRIS is a collection of 9 high quality cinematic film emulations that turn generic video footage into dazzling cinematic visuals with the click of a button. ![]()
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